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The Unity and Continuity of Matthew 24 (Olivet Discourse), part 2

Below is the seventh of multiple excerpts of commentary from Parts I and II of The Parousia , the late 19th-century masterpiece on the Second Coming by James Stuart Russell. The initial 31 posts on this blog deal with the Book of Revelation, which is cogently interpreted in Part III of Russell's magnum opus. (For all blog posts, see russellparousia.blogspot.com) [Blog editor's note: In this excerpt, Russell continues (see previous post) to set forth his argument that Jesus' apocalyptic prophecy in Matthew 24 (with parallels at Mark 13 and Luke 21) is a continuous whole -- one that cannot be broken into artificial time divisions that allegedly refer to both A.D. 70 and post-A.D. 70 events, which are supposedly indicated by detectable transitions in the prophecy's subject matter. Rather, the sole focus of the circa A.D. 30 prophecy, known as the apocalyptic discourse on the Mount of Olives or Olivet Discourse, is the impending destruction of the Temple and Jerusalem, wh...

The Unity and Continuity of Matthew 24 (Olivet Discourse), part 1

Below is the sixth of multiple excerpts of commentary from Parts I and II of The Parousia , the late 19th-century masterpiece on the Second Coming by James Stuart Russell. The initial 31 posts on this blog deal with the Book of Revelation, which is cogently interpreted in Part III of Russell's magnum opus. (For all blog posts, see russellparousia.blogspot.com) "The Prophecy on the Mount of Olives [also known as the Olivet Discourse] "THE COMING OF THE SON OF MAN (THE PAROUSIA) BEFORE THE PASSING AWAY OF THAT GENERATION. "MATT. XXIV. [24]; MARK XIII. [13]; LUKE XXI. [21] "We now enter upon the consideration of by far the most full and explicit of our Lord's prophetic utterances respecting His coming, and the solemn events connected therewith. The discourse or conversation on the Mount of Olives [as recorded in Matthew 24, Mark 13, and Luke 21] ... may be not unfitly styled the Apocalypse of the Gospels [which is replicated and expanded in dramatic i...