SecondComingAD70

Below is the 29th of multiple excerpts of commentary on the Book of Revelation from  The Parousia,  the late 19th-century masterpiece on the Second Coming by James Stuart Russell.  In this excerpt, Russell begins his explanation of why Revelation's "Babylon" represents 1st-century Jerusalem, not Rome.  The Identity of Revelation's "Babylon," part 1 "The Sixth Vision "THE HARLOT CITY , [Rev.] Chaps. xvii. [17] xviii. [18] xix. [19] xx. [20] " We now approach a part of our investigation in which we are about to make great demands upon the candour and impartiality of the reader, and must ask for a patient and unbiased weighing of the evidence that shall be brought before him. Possibly we may run counter to many prepossessions, but if the seat of judgment be occupied by an impartial love of truth, we do not fear an adverse decision. " It may be convenient at the outset to take a general view of this vision as a whole , occupying as it do...

Below is the 28th of multiple excerpts of commentary on the Book of Revelation from The Parousia , the late 19th-century masterpiece on the Second Coming by James Stuart Russell: "The Fifth Vision "THE SEVEN VIALS [BOWLS] , Chaps. xv. [15] xvi. [16] "Chap. xv. 1 [Rev. 15:1-8]--- ‘And I saw another sign in heaven, great and marvelous, seven angels having the seven last plagues; for in them is completed the wrath of God,’ etc. [SEVEN ANGELS TO POUR BOWLS OF WRATH ON THE GUILTY LAND -- 1ST-CENTURY ISRAEL] "This vision opens, like the first [messages to the seven churches], second [the seven seals], and third [the seven trumpets], with a prologue or preamble. The scene is laid in heaven, where the Seer [John] beholds seven angels, charged with the infliction of seven plagues, which are called the last , as being the completion of the divine wrath upon the guilty nation [1st-century Israel]. The imagery in this introductory scene is conceived in a style of the lof...